Project Development

Christ Church Cathedral – East Rose Window


From the top of the restoration work scaffold there was a perfect head-on view of the rose window which allowed for its capture without the need for any post-production correction of perspective.  More importantly, this afforded something not possible from floor level: a view of the window in its entirety, or so I thought…

Christ Church (low res) (3)

Dominic Price (2019) Christ Church Cathedral – view from the upper level of the restoration work scaffold

While necessitating only minimal post-production editing, the addition of a recent piece of pipework or trunking across part of the rose seems inconsiderate in the planning of such work.  A detailed look at the window also revealed, to my dismay, a latticework of support bars.  Every light was split in half by a radial bar and then further subdivided twice more, with a total of thirty-one support bars in the entire window – far more than is sensible to remove in editing.

CC rose close up 01

Dominic Price (2019) Detail of the East Rose Window – trunking ad support bars

I was intrigued that the design seemed not quite to fit in the available space – most noticeable in the text, with characters missing either in part or entirely.  I wonder if the tracery design differed from that which was finally produced?  The image below reveals a partially missing ‘T’ from the word UTERUM; the next light has a partially missing ‘R’ from REX and the third light has a completely absent ‘C’ from CHRISTE.

CC rose close up 02

Dominic Price (2019) Detail of the East Rose Window – cropped glass

For the completed image, I did go to the trouble of removing the support bar that halved the roundel,  but opted to leave all others in place having estimated that this would have added 15-20 hours of additional edit time.  This does grate with me, so should I revisit the editing of this window, an initial step will be to remove the support bars that cut across each of the ten angels.

Christ Church - East Rose (Low Res)

Dominic Price (2019) East Rose Window [Clayton & Bell, 1875 – Christ Church Cathedral, Oxford]

The rose depicts Christ the King surrounded by adoring angels.  The text surrounding the roundel comes from the Te Deum:

Tu rex gloriae christe
Tu patris sempiternus es filius
Tu ad liberandum suscepisti hominem non
horruisti virginis uterum

You, Christ, are the king of glory,
the eternal Son of the Father.
When you became man to set us free
you did not spurn the Virgin’s womb.

To produce this image, 21 photographs were taken at 214mm using the Canon EF 100-400 mm f/4.5-5.6L IS II USM lens, at an aperture of f/8.0 and exposure times ranging from 1/15 s to 4.0 s.

Project Development

Exeter College Chapel


University vacation can simplify access to the college chapels.  With the weather conditions looking perfect this morning (bright but with uniform cloud cover) and groundwork already in place for a visit at a ‘mutually convenient time’, it took no more than a brief email to the Head Porter for me to be granted access to Exeter College Chapel.  Pleasingly I had the chapel to myself for the two hours before its 11am opening to the tourists and was given the keys to the organ loft which my preliminary had visit suggested.

Access to the organ loft was via narrow stone spiral staircase and the organ loft could have been more appropriately termed an organ shelf: there was room for little more than an organist to sit at the organ.  Notwithstanding, thanks to some clever tripod usage I was able to take several series of photographs both of the stained glass and the chapel itself.

Exeter College - The Crucifixion (low res)

Dominic Price (2019) The Crucifixion [Clayton & Bell, 1859 – Exeter College Chapel]

The enormous height of the lancet windows was such that I opted to photograph the facing window within the apse in two parts, requiring 28 photographs to be taken.  With the lighting conditions just right, it seemed sensible to grab some additional lights at higher resolution, so I turned my focus to the tracery lights just below the vaulted ceiling.

With Easter soon upon us I also decided to capture a batch of one panel of the east window depicting The Crucifixion for me to use as an Easter card.  This necessitated a batch of 15 photographs,  taken at 400 mm using the Canon EF 100-400 mm f/4.5-5.6L IS II USM lens, at an aperture of f/8.0 and exposure times ranging from 1.6 s to 1/10 s: significantly longer exposures than those required when photographing the Cathedral’s windows in the brilliant sunshine.

I will return to edit the full height lights at a later date.  These I am likely to leave with saddle bars intact as the window comprises two lancet lights of thirteen saddle bars each.

DCP_0113 (black) ce lr

Dominic Price (2019) Tracery lights of the East Window [Clayton & Bell, 1859 – Exeter College Chapel]

DCP_0113 (black) ce lr - flowerMy original intention with the tracery lights was to concern myself only with the small rose (not least because this lends itself so well to posting on Instagram).  However, invisible to the casual observer and only evident during editing is the smallest stained glass light I have ever seen, located just below the base of the rose.  As a result, this led me to crop the image to include this tiny blue flower – something I may well review as it leaves the composition looking very unbalanced.

Project Development

College Library, St Antony’s College


The review of my images, following my visit to St Antony’s on Thursday 01 August, revealed that the bright interior lighting had created significant reflected hot spots on the glass.  Consequently it seemed sensible to arrange a revisit for me to repeat the photographs with the lights off.  This had the possibility of being problematic, since the site is a working library.  However, the Head Librarian was kind enough agree to closing the library for half an hour first thing on Monday 12 August, allowing me the opportunity to re-photograph the two windows.

615 - St Antonys

Dominic Price (2019) Behold the Lamb of God [Clayton & Bell, ca. 1894 – College Library, St Antony’s College

This window was the most problematic thus far when it comes to deciphering the story.  Clearly it focuses upon St John, but it was many hours of work to identify the most likely references (sadly the College has no record describing the windows).

The window depicts the life of St John, with the Naming of John (Luke 1:63) uppermost and St John telling St Andrew to follow Jesus (John 1:35-42) in the lower half of the window.

Text:
Behold the Lamb of God
John 1:29

EXIF data:

  • Canon EOS-1D X Mark II
  • Canon EF 100-400mm f/4.5-5.6L II USM
  • 135mm | ISO-50 | f/8.0
  • Exposure range: 1/30sec – 1.6sec

The image is the result of the exposure blending by hand of 36 separate images.

Project Development

College Chapel, Jesus College


I was rather taken by the East Window, a bright an engaging George Hedgeland window.  However, on closer inspection of the photographs, the protective wire backing was clearly visible – sadly to the detriment of the numerous scenes.  Fortunately, for saleability reasons, I have photographed most (or possibly all) of the Nativity Scenes and felt that this window was a particularly fine example.

615 - Jesus - Adoration

Dominic Price (2019) Charles Williams Memorial Window [Clayton & Bell, 1874 – College Chapel, Jesus College]

Located at the east end of the south wall, this memorial to the former principal, featuring angels in the tracery.  The main scene depicts the Adoration of the Christ Child by the Magi and Shepherds.  Below are small scenes of the Annunciation, Nativity, and Presentation in the Temple.

This window presented yet another challenge to my classical education, containing a detailed Latin inscription, requiring translation.

Inscription:
M:S:Caroli Williamis · S:T:P:Coll:Jes:per · ann:xx · Principalis ob:Ort:xvii · mdccclxxvii
In memory of Charles Williams, Professor of Sacred Theology, Jesus College, for 20 Years Principal, died October 17 1877

EXIF data:
Canon EOS-1D X Mark II
Canon EF 85mm f/1.2L II USM
85mm | ISO-50 | f/8.0
Exposure range: 1/25sec – 1sec
The image is the result of the exposure blending by hand of 32 separate images.