Project Development

Traveling further afield


After much careful planning, I managed to arrange four visits to chapels in a similar area on the east side of Oxford for this afternoon.  Additionally, I visited a college in the morning and finally managed to photograph The Queen’s College chapel in seemingly good lighting.  It was a substantial amount of walking on a very hot day!


Linacre College

My arrival at Linacre College, on the north side of the city, though early in the morning, found the library very much in use and with no easy way to achieve a ‘standard’ East Window view.  Linacre College was founded in 1962 and moved to its current site, at Cherwell Edge, in 1977, where it occupies a Queen Anne building, built in 1886.  This was formerly a convent of the Society of the Holy Child Jesus.  At the turn of the nineteenth century, there was the perceived need for accommodation for Catholic women: the Society ran a large hostel ‘St Frideswide’s’ at Cherwell Edge since 1905.  Soon after, they had a chapel and large residential block built by Basil Champneys.

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Dominic Price (2019) Linacre College Library

Sadly, in the intervening years, the majority of the stained glass was lost, with nothing more than tracery lights remaining in the four south windows.  Both the West and East windows are now entirely plain glass.

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Dominic Price (2019) Linacre College Library tracery

EXIF data:

  • Canon EOS-1D X Mark II
  • Canon EF 100-400mm f/4.5-5.6L II USM
  • 234mm | ISO-50 | f/8.0
  • Exposure range: 1/400sec – 1/60sec

The image is the result of the exposure blending by hand of 21 separate images.


The Queen’s College

On arrival at Queen’s , I was greeted like a long lost friend by the Porters and headed straight to the chapel.  he lighting still less than ideal, but I decided it was worth re-photographing the windows.  On inspection in the evening it was evident that the image quality was worse than on original visit, so opted to edit photographs from 19 August.


The Friary

The Friary is a lengthy bus journey out to the east of the city, close to the digs I had as a student in the 1990’s.  My last visit to the site was some ten years ago when it was still a Convent and I remember from then just how impressive was the chapel as well as its location within St John’s Home.

St John’s Home was founded in 1873 for people with lingering sickness or incurable diseases.  In 1881, the community of All Saints Sisters of the Poor was invited to take charge of the hospital, and in 1893 they became entirely responsible for the work.  In 2013 the Sisters decide to move out of the large convent building and chapel, and move into other buildings on the site.  Their place was filled in July 2013 by the Conventual Franciscans (The Order of Friars Minor Conventual of Great Britain and Ireland), more routinely known in Britain as the Greyfriars.

The chapel and stained glass therein was designed by Sir Ninian Comper and dedicated to St John the Divine and All Saints on 2 October, 1907, although the East Window was not completed until 1911.

Having been given a mini tour of the site by Father Giles, I was left to my own devices within the chapel.  A conveniently located screen allowed me access to the perfect height for photographing the windows.  The light was more favourable at the East end – and (unsurprisingly) the window was that bit more impressive, so I opted to photograph it in its entirety.

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Dominic Price (2019) Chapel of St John the Divine, The Friary

As I was about to depart, Father Giles pointed out that there were another two chapels within the site:  The new chapel for the All Saints Sisters of the Poor, which was sadly unavailable for photography and Bethlehem Chapel:

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Dominic Price (2019) Bethlehem Chapel, St John’s Home

Tucked up against the perimeter wall of St John’s Home grounds lies Bethlehem Chapel, a semi-circular place of prayer and quiet contemplation. Built in 1980, the chapel is shared by the communities of the Greyfriars, and the All Saints Sisters of the Poor, for individual or group prayer. In the winter months individuals of all faiths are invited by Cowley St John to a weekly Stillness and Silence practise.


Warneford Hospital Chapel

While still in the east of the city, the Warneford Hospital site is at the top of Headington Hill, some distance from The Friary and sadly the direct route was going to hafve to be walked.  I was being granted access by Rev Sally Horner who was kindly traveling to the site from some 40+ minutes away.  I felt somewhat guilty taking up her time so endeavoured to race through the work.

Warneford Hospital (formerly Oxford Lunatic Asylum) was originally designed to recreate the atmosphere of a gentleman’s country house.  An 1847 directory states: On the summit of Headington Hill is the Warneford Lunatic Asylum, opened in 1826, for the accommodation of lunatics selected from the higher classes of society.

Pleasingly, time has been sympathetic and change has been dynamic.  Warneford Hospital continues to support the treatment of people (and their families) who are experiencing mental health difficulties.

The Chapel at the Warneford, is in Victorian Gothic Early English style and was begun in 1841 by Thomas Greenshields of Oxford, but not completed until 1852 by J. M. Derick.  It is used routinely by staff and patients for communion services, recitals and other events, supported by a capable Chaplaincy Team.

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Dominic Price (2019) Warneford Hospital Chapel

All of the windows are quite stunning – this is definitely a site I would like to revisit in order to photograph more of the glass.


Bartlemas Chapel

Once again I was let down a little by the order of events… Bartlemas is at the bottom of the hill, close to The Friary, so it was a little frustrating to be heading back to my previous location.  I had to meet Rev Matthew in the main Church Office on Cowley Road, some distance away from the chapel.  This area is a very typical East End of a city, but just yards off the main road it is as though you have travelled into the middle of the Cotswolds…. what an incredible place!

The Chapel of the hospital of St Bartholomew, Cowley, has been known from earliest times as the Bartlemas.  It was built in 1126 along with a hospital building and wardens house, to accommodate 12 lepers and a chaplain.  The site lay on a plateau within Cowley Marsh and had its own gardens, springs and holy well.  It was transferred to Oriel College in 1329.  It suffered during the Civil War and the Siege of Oxford in 1643, when the Parlimentary’s Army filled in the well, stripped the lead from the roof to use for shot, stole the bell and used the chapel as a stable.  However, by 1651 it was restored thanks to the care of Oriel College.  The chapel was gifted to the Parish of Cowley St John in 1913 and has been in continuous occasional use ever since.

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Dominic Price (2019) Bartlemas Chapel


Chapel of St Ignatius

My final visit of the day (thankfully) was at the other end of Cowley Road – perhaps unusually it was the office of a recruiting company:

Built by Jesuit priest Fr Charles Leslie, in the garden of his house, this was the first Roman Catholic place of worship in Oxford after the Reformation.  The chapel is set well back from St Celment’s Street as anti-Catholic sentiment at that time was still strong.  It is named after St Ignatius Loyola, founder of the Jesuit order.  Today the building is an commercial office showing no suggestion of its former life.

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Dominic Price (2019) Chapel of St Ignatius

However, on Tuesday, 31 July 2018, the feast of St Ignatius Loyola, a Blue Plaque was unveiled 225 years after Fr Leslie built the chapel, commemorating this important place in the post-Reformation history of the Church in Oxford:

Blue Plaque - Fast Track

 

Project Development

Chapel of St John the Divine, The Friary


The photography of this windows was not ideal.  In a perfect world a 50mm or 60mm prime lens was needed, but the best I could manage was a wide zoom.  Though an ‘L’ Series lens, I already knew image quality was quite soft at the edges.  However, because 40mm was technically too wide for this window, I was able to benefit from using more of the centre of the optics.

As I started editing this piece, I quickly realised that it would have been sensible to have focused upon a single light rather than the entire window!  It was hugely complicated and the illumination dropped off dramatically from top to bottom which was going to require a lot of careful balancing.

Once complete, I was delighted to have worked on the whole window.  However, I quickly realised that I would need to revisit The Friary with my Canon Extender EF 1.4x III, in order to capture better Comper’s signature wild strawberry.

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Dominic Price (2019) East Window [Ninian Comper, 1911 – Chapel of St John the Divine, The Friary]

EXIF data:

  • Canon EOS-1D X Mark II
  • Canon EF 17-40mm f/4.0L II USM
  • 40mm | ISO-50 | f/8.0
  • Exposure range: 1/160sec – 1.6sec

The image is the result of the exposure blending by hand of 25 separate images.

Project Development

Pusey House & Keble College


The winter months are more inclined to produce days where favourable lighting is concerned and today was close to perfect with light cloud cover producing a bright, diffused sunlight that filled the chapels with soft, neutral light.

Today I had no confirmed visits: it has proved more demanding than expected to secure access to some chapels.   Notwithstanding, I opted to try my luck visiting two locations with which I had received positive responses with regard to the research, in the hope that my arrival would be convenient.


Pusey House

Pusey House is associated with the University of Oxford and dates back to 1884.  It is an Anglican religious institution firmly rooted in the Anglo-Catholic tradition of the Church of England.  Since 1981 it been occupied in part by St Cross College.

Pleasingly, my arrival was greeted warmly and the chapel was not it use so I had free reign to photograph the interior and the stained glass window.  Only the East End has stained glass, and good line of sight access was possible from the top of the rood screen (visible in the photograph below, behind the altar and candles).

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Dominic Price (2019) Chapel of the Resurrection, Pusey House

With just the one example of stained glass, it seemed appropriate to photograph the window in its entirety.   However, it was necessary to photograph from both ends of the screen as the view from the middle was blocked by tracery.

With the glass having been designed by Ninian Comper, (his work seen previously within the Chapel of St John the Divine HERE) I was keen to spot and photograph his signature wild strawberry – something much more demanding to find than was the case at The Friary.  However, once located, it also revealed the date MCMXXXVI (1936):

Wild Strawberry

The stained glass images will take considerable time to process and will follow in due course.


Regent’s Park College

Just a few metres from Pusey House was my next intended site visit:  Regent’s Park College.  Sadly on arrival it transpired that the chapel was in use throughout the day.


Keble College

Thinking on my feet, it seemed appropriate to revisit Keble College in the hope that the maintenance work within the chapel was now complete.  This site is understandably very sensitive where photography is concerned – it houses a number of outstanding works of art.  On arrival I was advised that the chapel work was now complete and the building was not being throughout the day.  However, it was necessary for the Porter’s Lodge to confirm with the Archivist that I had permission to photograph – a pleasingly quick process!

Keble College was established in 1870 by Edward Pusey as a monument to John Keble, a leading member of the Oxford Movement which sought to stress the Catholic nature of the Church of England.  Its distinctive red-brick neo-gothic buildings were designed by William Butterfield.

The Chapel and Hall (also designed by Butterfield) were built later than the accommodation blocks thanks to full funding by William Gibbs.  Keble College Chapel was opened on St Mark’s Day (25 April) 1876 and is one of the grandest ecclesiastical spaces in Oxford.

The chapel is a vast space with high roof and delights with its use of colour. It is decorated throughout with lavish mosaics at a height where stained glass would typically be found.  These illustrate God’s dealings with his people and, together with all of the stained glass, were designed by Alexander Gibbs under the watchful eye of Butterfield.

It has been some years since last I sung in the chapel and I had forgotted quite how stunning it was.  However, before any of my usual work, I felt it necessary to revisit the Side Chapel, home to William Holman Hunt’s The Light of the World:

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Dominic Price (2019) Keble College Side Chapel

Photographing the stained glass within Keble College Chapel presented difficulties that I had not anticipated.  While the very high vaulted ceiling was always going to result in images with pronounced converging verticals, I had failed to remember the existence of the extensive mosaic work that occupies wall space more typically filed with glass.  As a result, the stained glass only exists very high up within the building.  Exasperating this problem was use of traditional pews rather than collegiate seating which affords raised locations for mounting a tripod.  Therefore, photography of any windows on the north or south side was impractical, leaving only the ends of the chapel, with the most impressive glass featuring appropriately in the East End.

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Dominic Price (2019) Keble College Chapel

The impressive East Window by Alexander Gibbs (1873) is composed of five cinque-fold lights portraying the Ascension of our Lord, watched by the Virgin Mary and the Eleven Disciples, with ministering angels depicted in the tracery.  Much of the finer detail would be lost in a photograph of the entire window, so I opted to focus upon the central light.


UPDATE: 10 November, 2019

Through pressures of time, the edit below is provisional.  The light lends itself well to the removal of tie bars in addition to the removal of some of the subsequently added calmes that hide repaired damage to the glass.  It is my intention to reedit the work in the near future.  EXIF data:

  • Canon EOS-1D X Mark II
  • Canon EF 100-400mm f/4.5-5.6L II USM
  • 400mm | ISO-50 | f/8.0
  • Exposure range: 1/80sec – 1/6sec

The image is the result of the exposure blending by hand of 12 separate images.

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Dominic Price (2019) The Ascension of our Lord [Alexander Gibbs, 1873 – Keble College Chapel]