Project Development

Mansfield College Chapel – Planning visit


Today was due to be a reconnaissance visit to Mansfield College Chapel, but as I was travelling to the neighbouring Harris Manchester College to photograph the east window, despite the less than ideal lighting conditions (bright, clear blue sky) it seemed sensible to attempt some photography.

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The Victorian Gothic chapel is one of the largest in Oxford and is now a multi-function space.  The college chapel is unconsecrated, and contains stained glass windows and statues depicting leading figures from Nonconformist movements, including Cromwell, Sir Henry Vane and William Penn.  Chapel services are still conducted in a Nonconformist tradition, with an evening service each Wednesday.  It is routinely used as a dining hall – indeed on my visit I was being set up for a significant banquet.

The chapel is aligned almost north-south and with harsh sunlight pouring through the west windows, precluded them from being photographed.  However, the light was more sympathetic on the east wall, where there were a number of low-level windows, sadly, most of these were partially obscured by internal fittings and furnishings stacked within the chapel in addition to receiving unbalanced lighting thanks to foliage outside.

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The south windows, while very high,  benefitted from having the full length of the chapel to help minimise angles and converging verticals.  Additionally, the pews at the north end (shown above) afforded some additional height.

While I do have the appropriate kit with me, I imagine that a follow-up visit may be sensible on a day with more sympathetic lighting.

Project Development

Mansfield College Chapel


Mansfield - Johannes Balliolo (vlr).jpgIt is only now, five weeks after visiting Mansfield College Chapel, that I have had the chance to review the images.  With limited time available this weekend, I selected the only east wall stained glass window that could be photographed.

A batch of twenty images covered adequately the dynamic range.  The postproduction work was fairly straightforward, with just two support bars to remove.  However, the window was dark and very dirty for something less than 125 years old, resulting in an image that underwhelms.

Perhaps unusually, this window celebrates the founder of Balliol College: John de Balliol and his wife Dervorguilla of Galloway.

Inscription: John de Balliol; Dervorguilla of Galloway, Mistress of Balliol, Founders around 1269

Project Development

Mansfield & The Queen’s College chapels revisited


The original visit to Mansfield College was on a clear, bright September day last year (HERE) which preculded the chance for good quality photography.  Rearranging the visit has not been straightforward and it is more than a little ironic that today is also a clear, bright day!

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Founded in Birmingham in 1838 as a college for Nonconformist students, and known as Spring Hill College, it moved to Oxford in 1886 and was renamed Mansfield College.  The buildings were designed by Basil Champneys and formally opened in 1889.  Mansfield gained full college status in 1995.

College Chapel is unconsecrated and aligned north-south, with the north end being the Liturgical East.  The decoration of the chapel is meant throughout to suggest the one idea of the Church of God as founded upon Christ, and witnessing in various forms to worship of God in Him.  Today the chapel serves many functions, including dining hall and function room.  However, there are weekly chapel services as well as routine recitals.

With the natural lighting being far from ideal, the liturgical east end (facing north!) which houses four windows, seemed quite a viable choice as the light was not too harsh, nor too were the shadows.  Having decided not to photograph the entire window, I spent some time studying the numerous possible lights that compose the gift of Lord Winterstoke of Blagdon.  Finally I settled upon photographing the two lancets that make up the upper half of the central window, depicting St Paul and St John.


UPDATE: 28 August, 2019

Now completed, the stained glass window edit is composed of 23 separate photographs, exposure blended by hand.  EXIF data:

  • Canon EOS-1D X Mark II
  • Canon EF 100-400mm f/4.5-5.6L II USM
  • 360mm | ISO-50 | f/8.0
  • Exposure range: 1/125sec – 1.3sec

The high angle of the photograph resulted in the two lights being partially clipped by the crenulated stonework.  his necessitated considerable reconstruction, but the results were worth the effort:

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Dominic Price (2019) Before and after editing the base of the two lights

One of the more demanding exercises was to translate the Greek text.  hile retrospectively a rather obvious choice of text for St John, it did take a significant number of hours to decipher.

Ἐν ἀρχῇ ἦν ὁ λόγος | In the beginning was the Word
John 1:1

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Dominic Price (2019) St Paul and St John [Joseph Bell, 1889 – Mansfield College Chapel


Despite the natural lighting appearing unfavourable, it seemed sensible to revisit The Queen’s College chapel – scaffolding is beginning to be erected; Eton College Choir are using the facilities, so I was only allowed in during their lunch break.  I spent a somewhat therapeutic hour-long period within the chapel, and throughout there was only bright sunlight, casting harsh shadows from the protective wire netting.  Consequently, no photographs were taken.