Project Development

Harris Manchester College Chapel – Revisited


An important part of my work is to ensure that the printed images are true representations of the actual windows and with this in mind I revisited Harris Manchester College this morning.

In the summer months, Oxford heaves with tourists (too many years living outside the Westcountry prevents me from referring to them as grockles or emmets) who reduce movement to a crawl.  However, it was reassuring to see a small number in the chapel who I called upon to critique my proof prints.  Their observations I concurred with completely with regard to the saturation of colours within the light BJ 397 (Courage) and have consequently re-edited the image.

HMC - Re-editedIt should be noted that the photographs were originally taken on a bright, overcast day in late March, when the daylight colour temperature was less warm than today, as was the intensity of the light  (with today being partially cloudy).  However, since I had undersaturated some areas and oversaturated others, it was clear that the changes were not just as a result of weather or seasonal conditions.  The changes see an increase in the saturation of the helmet, together with a recolouring towards orange/gold; The wooden staff and hands have been desaturated; and finally, the red background drape has had a increase in saturation as well as a recolouring towards ‘pure red’ – I am not convinced that I have yet made sufficient changes to the colour of the drape.

The animated GIF to the left demonstrates these subtle changes (albeit with minimal wow factor in a 2-second cycle):

There is a lot of quality loss in a GIF, so below is a JPEG of the final re-edited image:

 

 

HMC - Courage - Re-edited (low res)Courage – BJ 397 (Edward-Burne Jones, 1896) The Chapel of Harris Manchester College

Project Development

Chapel of St. Nicholas


When photographing the Chapel of St. Nicholas in early July, I was undecided which light would be best to edit, so with conditions being ideal, I photographed a selection.

The completed image below strikes me as being rather dark, although as I recall, this was the case particularly in comparison with Fight the Good Fight, for example.  I have yet to take a copy to the chapel for comparison and possible re-editing.

One omission from most of the windows or lights that I edit is the inscription.  This window was given by the parents after the death of their son.

The inscription reads:

In Loving Memory of EDWARD HORACE PERCIVAL, who died at Summer Fields March 9, 1900, added 14.

The boy in the image is apparently a likeness of Edward.

St. Nicholas - Be Ye Kind One to Another (low res)

Be Ye Kind One to Another (Henry Holiday, 1901) Chapel of St. Nicholas

Project Development

Chapel of St. Nicholas – rose tinted glasses?


St. Nicholas - Be Ye Kind One to Another GIF.gifToday afforded me a moment to call in on the Chapel of St. Nicholas in order to compare my rendering of Be Ye Kind One to Another with the installation itself.

The concerns I had about the darkness of my image were well founded, and interestingly I had again oversaturated the reds and browns (as was the case with the Harris Manchester College Chapel light Courage).  Perhaps there is some truth to the  rose tinted glasses idiom?!

Such changes were quite easy to correct as was some fine detail in the colouring of the text and punctuation.  The animated GIF to the left demonstrates these subtle changes in a 2-second cycle (but does sacrifice quality):

There is a lot of quality loss in a GIF, so below is a JPEG of the final re-edited image:

St. Nicholas - Be Ye Kind One to Another v2 (low res).jpg

Be Ye Kind One to Another (Henry Holiday, 1901)

Project Development

St. Peter’s College Chapel – East Window


A weekend of leave afforded me the time to tackle the large East Window.  Unusually, this is the work of two artists: the original window dates back to 1874 and was designed by Henry Holiday, but in 1964 the five main lights were replaced by a John Hayward design, leaving the original tracery lights.  My original intention was to edit just the five lights, but the tracery is so exquisite I opted to start there and complete the entire window.

St. Peter's - tracery gif

Dominic Price (2019) East Window tracery: before & after five hours of editing, low resolution GIF  [Henry Holiday, 1874 – St. Peter’s College Chapel]

While I was able to stand a substantial distance back, occupying the doorway to the chapel, the large size of the window did not challenge my telephoto zoom anything like as much as I was expecting.  A total of 20 images were shot at 176 mm using the Canon EF 100-400 mm f/4.5-5.6L IS II USM lens, at an aperture of f/8.0 and exposure times ranging from 1/40 s to 2.0 s.  The significance of the distance between camera and window was that there was only a minor amount of converging verticals image distortion to correct – I was tempted to ignore the need for this work, but it would have frustrated me every time I looked at the finished image!

I am not especially keen on the juxtaposition of contemporary art with pre-Raphaelite stained glass, but do rather like Hayward’s work – the fine detail tells an incredible and detailed story.  The intricacy of the design is such that the removal of support bars is an impossibility – a blessed relief since the image represented over twenty hours of editing and the removal of 40 support bars would have comfortably doubled that time (to little visual effect).

St. Peter's - Chavasse Memorial (low res).jpg

Dominic Price (2019) Life of St. Peter: Chavasse Memorial [John Hayward, 1964 – St. Peter’s College Chapel]