Project Development

Somerville College Chapel


Cartoon For Christ, Somervile Oxford 1935 (low res)Uniquely, this is Oxford’s only un-consecrated chapel.  It has no religious affiliation, so the large Reginald Bell stained glass west window depicting Christ comes as a surprise and juxtaposes the ‘undenominational’ intent of the building.  Unusually, with vivimus approved and cartoon drawn, there was no Somerville chapel.  Indeed, Bell is possibly the only glass-painter to have been commissioned to design a window and then to find an architect to build a chapel to house it.

This had the potential of being a straightforward shoot, with a spacious organ loft positioned at the perfect height for undistorted images. Sadly such plans were ruined by the placement of three chandeliers that followed the central line of the building:

With the chapel having just one stained glass window, and following feedback on my Work in Progress Portfolio, I experimented for the first time with capturing it in two images.  To play safe, I also captured the window as a single image – this I did both from the floor and the organ loft, to the left and to the right of the central line (to avoid the chandeliers).  Multiple exposure blending necessitated a batch of 20 images per shot, so this ‘straightforward’ shoot ended up taking just under an hour and totalled over 150 images.

Shot at 300mm f/8.0, the selected batch was shot from the organ loft, to the left of the central line.

The combined image was the result of over 15 hours of editing in which there was only the slightest image distortion: lateral offset from the central line produced horizontal convergence, which I opted to correct. The final result had a healthy 25.5MP resolution.

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Learning & Truth (Reginald Bell, 1935) Somerville College Chapel

Project Development

Chapel interiors


In listening to friends, colleagues and others, on their review of my work, I have decided to renege upon my original plans to present the stained glass window images in isolation.  The location is such an integral part to their story that it makes far better sense to contextualise them within their environment.  To that end the publication will have a two-page spread for each location that will include an east end view (or similar).

This revision will also make easier the decision to include those chapels not adjourned with stained glass.  They can feature as individual pages that also include an east end view.

having finalised the two page spread for my book, there was the need to revisit some sites in order to capture an interior shot of each chapel.

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Price, D.C. (2019) The Stained Glass & Chapels of Oxford – mock-up

On a hot day, I was pleased to be travelling without my camera bag or big lenses, using the Canon EF 17-40mm  f/4.0 L USM lens for each shot (although it remained necessary to use a tripod).  In order to present photographs that are true to my mission, I took a batch of ten exposure bracketed images of each interior and then used multiple exposure blending in order to create a dynamic range sufficient that the stained glass remains visible while the interiors are appropriately bright.

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Dominic Price (2019) The Chapel, St Edmund Hall

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Dominic Price (2019) The Chapel, Wycliffe Hall

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Dominic Price (2019) The Chapel, Somerville

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Dominic Price (2019) The ‘new’ College Chapel, Exeter College

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Dominic Price (2019) The Chapel of John the Baptist, St John’s College