Project Development

Wycliffe Hall Chapel – Planning Visit


Wycliffe Hall is the nearest college to my home, although the one mile walk seemed rather further in the cold, wet and dark conditions that befell today.  It was a unique pleasure to be greeted and given a tour by the Principal, Revd Dr Michael Lloyd.  In correspondence he was hugely complementary of my work and hoped that I might be able to create an image appropriate for a condolences card from one of the panels within the east window and also wondered whether the angles adorning the top of the window might be able to be used in Christmas cards.  With such a warm welcome, it amused me to discover that he was the former chaplain at The Queen’s College, who are currently being so awkward about granting me access to their chapel!

Wycliffe Hall is a Church of England theological college and a Permanent Private Hall (an educational institution) within the Oxford University.  It is named after John Wycliffe, who was master of Balliol College, Oxford in the 14th century.  The chapel was added in 1896, designed by architect George Wallace.  As yet, I am unsure of stained glass window artist.

It is going to be a pleasure photographing the east window as there is an organ loft at the perfect height to eliminate the need for any post-production perspective control.

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The west end features a plain glass window that houses one stained glass light, featuring John Wycliffe.  This will present a host of minor difficulties, not least the minimal available space – it will only be possible to photograph with a wide angle lens.   Clearly this window could only be photographed in the winter months, when the numerous trees are devoid of leaves.  By choice, I would prefer to remove the outside features visible through the window.  I will have to experiment with smaller apertures than usual in an effort to throw the background out of focus – not easy with wide angle work.  It may prove to be simplest to address this problem in post-production.

It is my intention to revisit the College in the New Year – I suspect the photography will need two visits in order to ensure appropriate illumination of both the east and west windows.

It was reassuring to hear such enthusiasm for my work during this visit.  Dr Lloyd was adamant that a book cataloguing the chapels through one or two of their windows, would be very well received in Oxford.  With an anticipated exhibition date of late 2019, my suggestion that I might also produce a series of Christmas cards based upon the numerous nativity scenes and angels that feature in these windows, was also met by tremendous enthusiasm… I suspect I have one potential buyer at the very least.

Project Development

Wycliffe Hall Chapel


My planned photo shoot visit to Wycliff Hall fell on a pleasingly good day where weather was concerned, with cloud cover and bright light.  However, I was worried by the limited amount of daylight I would have on winter afternoon.  I need not have worried: no more than a handful of photographs into the session, the Chaplain and a number of students arrived to prepare for the chapel service that was about to commence – something that required internal lighting.  I was left with no choice but to pack up and head home.  Before I had even reached my house I was emailed the offer of five future dates on which I could work, uninterrupted in the chapel.

Project Development

Wycliffe Hall Chapel – Revisited


In the climatographical lottery that I play every time I confirm a date for a chapel visit, today appeared so poor that I was tempted to cancel and rearrange: temperature 11°C higher than the historical average and a brilliant blue, cloudless sky.  Experience told me that this would likely result in harsh shadows on the glass in addition to unfavourably bright interior light.  However, it was going to be a lovely walk to the location…

For this visit I was afforded a slot from 3pm until 4:30pm, so on arrival, bright sunlight was pouring in through the mostly plain glass west window.  To my surprise though, with the ambient light being so bright, the east window was lit very well by diffused, reflected daylight – producing near-perfect conditions for photography (so long as the bright beams of light from other windows remained clear of the window).

DCP_9236 ce (low res).jpgWith the Hall Principal being so keen to utilise an image of part of one of the lights for a condolences card and me ever keen to photograph any Nativity scenes, I opted to capture six views: the entire window and then the bottom half of each light, depicting scenes from the life of Christ.

The window east was installed in 1927 to mark the Hall’s Golden Jubilee and is believed to have been designed by the same artist as the John Wycliffe window.   However, the hall is  unsure of any further details. These were photographed from the organ loft at the perfect height to avoid any distortion.  A total of 103 images were shot at 117 mm for the entire window and 400mm for the close-ups, using the Canon EF 100-400 mm f/4.5-5.6L IS II USM lens, at an aperture of f/8.0 and exposure times ranging from 1/15 s to 5 s.  To date, I have edited the five lower panels and suspect that I will not work on the entire window.

DCP_9134 (low res)Despite the bright sunlight radiating through the west window, I investigated its photography: irrespective of focal length or aperture, from the organ loft there was no viable solution to avoiding the buildings and vegetation outside.  However, from behind the altar at the east end of the building, there was an uninterrupted view mostly devoid of detraction.  While the viewing angle necessitated correction of perspective and the very bright backlighting presented some difficulties with glare, the results were very pleasing.  A total of 17 images were shot at 321 mm using the Canon EF 100-400 mm f/4.5-5.6L IS II USM lens, at an aperture of f/8.0 and exposure times ranging from 1/60 s to 0.6 s.

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Dominic Price (2019) John Wycliffe [Artist Unknown, 1896 – Wycliffe Hall Chapel]

 I have a final visit lined up in mid-March which will allow me to compare the colour and saturation of my images with the two windows.

Project Development

Wycliffe Hall Chapel – Post-Production Visit


Today’s bright yet overcast conditions were perfect for the photography of stained glass, but with no access lined up for another week or two, my only practical task was to colour-check the Wycliffe Hall images.  This was bound to prove difficult as the lighting was so very different from the blue skies and bright sunlight on the day that the photographs were taken.

Focusing first on the East Window, for the most part, colour and relative contrast were correct.  Yes, the saturation was a little lower today, but that is to be expected and I do not think that the difference could warrant re-editing.  The same could not be said for the West Window… John Wycliffe’s cloak is a decidedly awkward shade of warm grey lined in a contrasting red hue.  When backed by a clear blue sky and bright sunlight the cloak seemed closer to a true grey.  In today’s conditions, it was a definite mauve shade of grey, with the contrasting lining being somewhat subdued.

I have re-edited the image to reflect this, but am unsure which could be described as most true.  To that end, I will give the Hall the option of either version.  Looking at the animated GIF comparison below (2 second continuous loop), the differences are subtle, but to me, very important.

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Dominic Price (2019) John Wycliffe [Artist Unknown, 1896 – Wycliffe Hall Chapel] Animate GIF to illustrate the (subtle) differences between the initial edit and the re-edit that followed the post-production visit.

Project Development

Chapel interiors


In listening to friends, colleagues and others, on their review of my work, I have decided to renege upon my original plans to present the stained glass window images in isolation.  The location is such an integral part to their story that it makes far better sense to contextualise them within their environment.  To that end the publication will have a two-page spread for each location that will include an east end view (or similar).

This revision will also make easier the decision to include those chapels not adjourned with stained glass.  They can feature as individual pages that also include an east end view.

having finalised the two page spread for my book, there was the need to revisit some sites in order to capture an interior shot of each chapel.

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Price, D.C. (2019) The Stained Glass & Chapels of Oxford – mock-up

On a hot day, I was pleased to be travelling without my camera bag or big lenses, using the Canon EF 17-40mm  f/4.0 L USM lens for each shot (although it remained necessary to use a tripod).  In order to present photographs that are true to my mission, I took a batch of ten exposure bracketed images of each interior and then used multiple exposure blending in order to create a dynamic range sufficient that the stained glass remains visible while the interiors are appropriately bright.

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Dominic Price (2019) The Chapel, St Edmund Hall

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Dominic Price (2019) The Chapel, Wycliffe Hall

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Dominic Price (2019) The Chapel, Somerville

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Dominic Price (2019) The ‘new’ College Chapel, Exeter College

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Dominic Price (2019) The Chapel of John the Baptist, St John’s College