Project Development

Guide book – sample page


Sample Page (low res)I remain confident the most appropriate way to promote my work within Oxford is through an exhibition (beyond Oxford is a separate consideration).  While I am a long way from coming close to finalising the appearance of an exhibition, it has always been my intention to publish a supporting guide book, which could also to stand alone as more of a ‘tourist guide’.

It makes some sense to begin putting this together as I visit each location, rather than leaving all until the end of the project – that way I can ensure that I have sufficient information available while it is still fresh in my mind (and while my work is fresh in the minds of the College Bursary, etc.).

My first stab at a layout (click image above for a PDF) is perhaps less than useful as I have only produced one page, but I will augment it is due course.  In the past I have spent days on the design and layout, so this will be one of my projects to work on over the Christmas break.

It is my deliberate intention to provide both historical and photographic information within the guide.  In addition to a separate page on each location, the guide would contain an appropriate map, glossary, bibliography, profile on each of the artists featured as well as an illustrated explanation of the photographic and post-production processes.

Project Development

Arthur & Michael O’Connor


When photographing University College Chapel, I was surprised by the relative lack of support bars on the East Window and wondered whether this was something almost specific to the work of Arthur & Michael O’Connor.  In searching their work, while there are a good number of more usually supported lights and windows, there are a notable number demonstrating the similar sparsity of support bars, which is definitely atypical.

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Photographer Unknown | The Nativity & Baptism of Christ (Michael O’Connor)

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Photographer Unknown | Peace ? (Michael O’Connor)

However, a higher resolution image of one of Arthur O’Connor’s lights reveals that the support bars follow the glass rather than the more traditional line straight across the glass.  What a sensible approach to maximise the impact of the design.  So much of my time would be saved if I featured only their works!  I have overlaid the bars in green:

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Unknown Photographer | The Garden of Eden (Arthur O’Connor)

Project Development

Wycliffe Hall Chapel – Planning Visit


Wycliffe Hall is the nearest college to my home, although the one mile walk seemed rather further in the cold, wet and dark conditions that befell today.  It was a unique pleasure to be greeted and given a tour by the Principal, Revd Dr Michael Lloyd.  In correspondence he was hugely complementary of my work and hoped that I might be able to create an image appropriate for a condolences card from one of the panels within the east window and also wondered whether the angles adorning the top of the window might be able to be used in Christmas cards.  With such a warm welcome, it amused me to discover that he was the former chaplain at The Queen’s College, who are currently being so awkward about granting me access to their chapel!

Wycliffe Hall is a Church of England theological college and a Permanent Private Hall (an educational institution) within the Oxford University.  It is named after John Wycliffe, who was master of Balliol College, Oxford in the 14th century.  The chapel was added in 1896, designed by architect George Wallace.  As yet, I am unsure of stained glass window artist.

It is going to be a pleasure photographing the east window as there is an organ loft at the perfect height to eliminate the need for any post-production perspective control.

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IMG_3739 (low res)

The west end features a plain glass window that houses one stained glass light, featuring John Wycliffe.  This will present a host of minor difficulties, not least the minimal available space – it will only be possible to photograph with a wide angle lens.   Clearly this window could only be photographed in the winter months, when the numerous trees are devoid of leaves.  By choice, I would prefer to remove the outside features visible through the window.  I will have to experiment with smaller apertures than usual in an effort to throw the background out of focus – not easy with wide angle work.  It may prove to be simplest to address this problem in post-production.

It is my intention to revisit the College in the New Year – I suspect the photography will need two visits in order to ensure appropriate illumination of both the east and west windows.

It was reassuring to hear such enthusiasm for my work during this visit.  Dr Lloyd was adamant that a book cataloguing the chapels through one or two of their windows, would be very well received in Oxford.  With an anticipated exhibition date of late 2019, my suggestion that I might also produce a series of Christmas cards based upon the numerous nativity scenes and angels that feature in these windows, was also met by tremendous enthusiasm… I suspect I have one potential buyer at the very least.

Project Development

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