M2 Wk1: Introduction – Segues in Time

Activity: Place Over Time


  • Step One: Choose a previously made image that relates to your project / subject of interest. You might wish to select a few images as alternatives.
  • Step Two: Revisit your chosen image. Feel free to approach this in your own way or make use of / adapt one of the strategies introduced.
  • Step Three: Display the original image and the new one together in a space / place of your choosing. Photograph the result and post it in the discussion box below.
  • Step Four: Describe your approach and experience in no more than 180 words. Perhaps talk about how the image was chosen, why a specific strategy was adopted and what compromises you had to make in achieving it. Perhaps also mention the impact that the space had / has upon the two images and their relationship.

I am the slave of time on this activity as I am about to head off to the Somme with a group of Year 8 pupils!  This prevented me from focussing on a chapel or aspect of stained glass, however, I have managed to produce a crude interpretation in the style of Ahn Sungseok (I am not including this in the 180 words!):

The original image was an 1898 postcard of the main school building – a façade that is almost unchanged to the present, barring some alterations to the grounds.  This I placed digitally within the current view, including two generations of new buildings to provide a sense of change.  It was interesting to note how wide the original lens must have been, as I needed to shoot at 17mm.

Unable to use a projector in the available time and in the absence of a screen, I was forced to print and matt-laminated the image.  This I planted in the appropriate location and quickly realised the error of having used a 17mm lens: I now needed something for the final step in which I intended to replicate the style of the original postcard.  At just 30cm from the print, a 12mm lens at f/22 just about coped, but I would have liked to include far more within the final picture and without the significant edge distortion.

It was surprisingly windy this morning which proved demanding when photographing a laminated card sheet.

DCP_7060 Edited (low res)

A couple afterthoughts… the original colour image:

DCP_7035 original (low res)

Following feedback requests, here is more technical data relating to the shoot: Unless I am travelling light, in which case I use a Canon G3X, I always shoot full-frame, with a Canon EOS-1DX MkII.  The 17mm shot was taken using a Canon 17-40mm f/4 L.  The 12mm image was courtesy of a Sigma 12-24mm f/4.5-5.6 EX DG HSM (who decides upon these names?!).  I don’t use the Sigma lens very much, but in controlled environments (i.e. indoors) the image quality is pleasingly good and distortion surprisingly minor).

Despite my best efforts, and perhaps unsurprisingly, research in the archives has failed to reveal any record of who produced the assorted school postcards in the 1890’s and as a result, I am unable to elaborate on the kit used for the original image.

M2 Wk4: Strategies of Freedom

Activity: Hands off!


Week 4 saw me leading a Year 8 Adventure Activities Trip to Dartmoor.  Opportunities to detour via anything stained glass in nature, with 50 teenaged children, were few.  However, for the trip I ditched my EOS-1D X MkII and travelled with the (relatively) diminutive Canon PowerShot G3 X in an effort to fulfil at least a small part of the Week 4 activity brief.

With the boys in the safe hands of a team of instructors, and having fulfilled the bread and butter photographic obligations for the school, I had the opportunity to appreciate the immediate surrounds.  Stepping just 10m back from the noise and bustle of 50 teenaged children enjoying rock climbing and abseiling on the Dewerstone near Shaugh Prior on the edge of Dartmoor, the sound soon dropped off leaving me enveloped in the beauty and tranquillity of the woodland.

Even on a bright sunny day, the woodland floor can be surprisingly dark, but shafts of sunlight penetrate the canopy to highlight the details of the native ferns.  This provided me with the chance to experiment with the macro settings on my point-and-shoot camera.  Although I was constantly wishing that I had travelled with my DSLR, the Canon G3 X coped pleasingly well, limited only (I suspect) by my lack of familiarity with its controls… that said, in the gentle breeze that was constantly playing with the plant life, it was a nightmare trying to focus on the tip of a frond!

IMG_5143 lrIMG_5148 lrIMG_5155 lrIMG_5159 lrIMG_5164 lr

M2 Wk3: Strategies of Sharing

Activity: Making Zines


In keeping with many aspects of this module, school work and commitments have kept me from committing to this activity in the appropriate timeframe (or manner).  In the case of making zines, this precludes my ability to collaborate with colleagues or come close to meeting the deadline.  Necessity dictates that some of my coursework will have to follow, and hopefully, enhance the work that I have to produce in-school. Pleasingly, not all of my work is unrelated.

For a school trip to South Africa, it seemed appropriate to produced a guide book for the pupils. The design brief is to help limit the countless questions inevitably raised by the children prior to and during the trip.  An important part of the conceptual work is collaboration with those travelling: what are they unsure about?  What concerns might they have?  What information would it be helpful for them to know?  Consequently, they provided the questions that fuelled the majority of the content.

To that end, the zine takes the form of a guide book to support a school trip to South Africa in mid July.

Hard copies have already been produced in-house through Reprographics, using high quality 100gsm paper stock.  These have been distributed to the children, with plenty spares or the trip itself.

A flipbook version is linked below:

SA2018 - KZN (low res)

M2 Wk4: Strategies of Freedom

Activity: Hands off! Part 2


Traveling to South Africa provided me with the chance to tackle, once again, part of the Week 4 activity brief by using one of my favourite IOS Apps.  RedDotCam does not run on my iPhone X, but works perfectly on my old iPhone which contains my Vodacom South Africa sim.  RedDotCam was designed as a ‘virtual Leica’ interface for the iPhone camera (see image below).  Running in black and white, with manually controllable ISO, shutter speed, EV and focus, it is a pleasure to use and allows pleasing versatility on the otherwise closed-down iPhone camera.

RedDotCam

Within the confines of the front room of ‘Rock Shandy’ – my home-from-home in Kwa-Zulu Natal, I used RedDotCam to photograph the textures of the various items of wooden furniture, lit by the early morning sun.  The combination of fixed focal length and straightforward manual controls made a refreshing change to my more usual ventures…

M2 Wk5: Three ‘Surfaces’

Activity: Proposing Works


Another retrospective piece, four weeks after the exhibition deadline…

Five key words describing my practice / project :
– Stained glass
– Multiple exposure blending
– Oxford chapels
– Vanishing history
– Public awareness

One sentence describing the aims of the work I might display:
Bringing greater public awareness to the hidden arts that reside in plain sight within the 40+ chapels of Oxford, ensuring that the stained glass windows therein are catalogued as a collection.

One sentence describing roughly where and what my display could look like:
White-walled gallery exhibition of 8 large framed prints:
Giclée print (width 320mm height 580mm), on 310gsm standard fine art paper; double mounted in white card, black box frame (width 415mm height 680mm).

Two images that best illustrate my practice: